In Espial on Pudding Lane, 1665
London did not sleep so much as sulk after sundown. It pulled its roofs down over its ears, it hunched its crooked shoulders, and it muttered into its gutters like an old sinner bargaining with God. A sour wind came off the river and moved through the lanes with a thief’s caution, snuffing one candle and sparing another, lifting a shutter to peep into a room and letting it fall again with a clack that made widows start in their beds. Cats yowled in the courts as if the plague itself had taken whiskers and a tail; rats fat as aldermen shouldered each other aside at the fishmongers’ door; and from somewhere at the city’s edge a cart creaked with a sound that was too familiar to be remarked upon and too dreadful to be named.
Pudding Lane ran down towards the river between timbered houses that had been built too close and allowed to grow closer. Upper storeys leaned across the street, shutting out what little moonlight had survived the smoke. At the lower end of the lane stood a bakehouse, its bricks still warm from the day’s work. Beside it was a narrow shop with a fading gilt sign above the door: ELLWOOD, PRINTER. The board had been polished that morning. By night it was grey again.
A lamp burned behind the shop window. Its light fell across hanging proofs, stacked paper, and the heavy wooden press that occupied most of the front room. The press was old but sound. Its screw had been greased, its platen levelled, and its timbers repaired wherever age had opened a crack. Master Ellwood maintained it with the care another man might give a horse upon which his living depended.
Thomas had spent the last hour repairing the outer shutter. The lower hinge had pulled away from the frame, and the wind kept working its fingers into the gap. He drove the final peg home, tested the joint, and stepped outside to see whether the shutter hung square.
He carried his small hammer with him. He nearly always did.
The night air struck cold after the warmth of the shop. Thomas drew one deep breath, then another. Ink and lamp oil clung to his clothes, but the lane supplied stronger smells: wet timber, ashes, fish, horse dung, and the floury heat seeping through the bakehouse wall.
He meant only to draw breath and go in again. But voices, low and urgent, halted him where the threshold ended and the alley began.
“Print what you are given.”
The words came from the narrow passage between the print shop and the bakehouse.
Thomas stopped.
“No corrections,” the man continued. “No questions. Set it as writ.”
A second voice answered, smoother than the first.
“We bring the copy. You provide the press. There is nothing difficult in the arrangement.”
Thomas knew the third voice at once.
“I decide what passes through my press,” Master Ellwood said. “If a claim is false, I will not put my name beneath it.”
Thomas moved quietly towards the mouth of the passage. The men stood ten or twelve feet away, mostly hidden by the angle of the wall. He could make out three visitors: two close to Ellwood and another farther back. All wore plain coats and low hats. The third man said nothing. When he shifted, the lamplight from an upper window caught a pale seam along one cheek.
The harder voice spoke again.
“Your name need not appear.”
“My work will.”
“Your work appears on a hundred sheets a month. No one asks which you admire.”
“I ask.”
The smoother man gave a low laugh.
“You are a tradesman, Master Ellwood. Do not mistake a composing stick for a magistrate’s staff.”
Ellwood stood with his back to the shop door. Thomas could see the set of his shoulders. He had known his master long enough to recognise anger before it reached the voice.
“A tradesman may still possess a conscience.”
“He may,” said the first man. “He may also possess a roof. Whether he keeps both is often a question of judgement.”
The bakehouse flue gave a dull cough. A scatter of sparks rose beyond the roof and vanished.
Ellwood glanced towards them. “Is that a threat?”
“It is an observation. London is built of timber. Accidents are common.”
“You would burn a printer’s shop for refusing a pamphlet?”
“No one wishes to burn anything.”
The soft voice moved closer.
“We wish to give you work. Regular work. Well-paid work. You have an apprentice to feed, a daughter to maintain, paper to buy, rent to meet. There is no shame in custom.”
“There is shame in falsehood.”
“That depends upon who pays to call it false.”
Thomas tightened his grip on the hammer.
He wanted to step into the passage. The impulse came quickly and without much thought: one stride, perhaps two, and he would stand beside Ellwood. Yet there were three men, and one of them carried something beneath his coat that pulled the cloth into a long, straight line. Thomas remained against the wall.
The first man lowered his voice. Thomas caught only fragments.
“…not asking for loyalty…”
“…a few small errors…”
“…no concern of yours…”
Ellwood answered, but the words were lost beneath the grind of a cart entering Pudding Lane. One wheel struck a loose stone. The horse shied, iron scraped against iron, and the driver swore loudly enough to wake every saint in London. At the same moment a crock fell from the bakehouse sill and shattered beside Thomas.
He turned towards the noise.
It lasted no more than a few seconds. By the time he looked back, the men had closed around Ellwood. Their voices had dropped so low that Thomas could distinguish no words at all. The silent man stood between him and his master.
Then the group shifted, and the smooth voice became audible again.
“—and you will be rewarded. A shop thrives on good custom.”
Thomas went still.
The first man resumed in his ordinary tone, brisk and businesslike.
“Think of it as necessary custom. We bring the sheet; you bring the letters. No emendations. No quibbles. Set it as writ.”
Master Ellwood did not answer.
“Do we understand one another?”
A watchman called the hour from Eastcheap. His voice arrived slowly through the lanes.
“Past ten o’clock, and all is well.”
No one in the passage appeared persuaded.
The smooth man continued.
“There will be marks upon the copy. Small ones. You will leave them exactly where they are.”
“What marks?” Ellwood asked.
“Errors. The sort a careful printer would ordinarily correct.”
He seemed almost amused by the examples.
“Citty, perhaps. Goverment. Deligently. A letter doubled where no honest spelling requires it. Another removed. Nothing so gross that a common reader would stop over it.”
“And what purpose do they serve?”
“That is not part of your work.”
“You expect me to print a message I am forbidden to read.”
“We expect you to set the copy.”
Thomas watched Ellwood’s head turn slightly, as though he were looking from one man to the next.
“And if Anne corrects one?”
The question startled Thomas. It was the first time her name had been spoken clearly.
The silent man at the rear moved his hand beneath his coat.
“She must not,” said the first.
“She has a better eye than most journeymen.”
“Then teach her when not to use it.”
The soft man gave another quiet laugh.
“Mind your p’s and q’s, Master Ellwood. That is all. There will be a sign upon each sheet so you know which copy is ours. Set every oddity as supplied. If a correcting hand grows troublesome, the hand may find less work in future.”
The words were mild. The meaning was not.
Thomas felt the haft bite into his palm.
Master Ellwood’s face remained hidden, but his reply came plainly.
“Bring the copy at dawn.”
The men waited.
Ellwood added, “I will set what you bring.”
The words struck Thomas harder than the threat had.
The plain coats relaxed. The first gave a satisfied nod.
“Good.”
The smooth man said, “You will find us punctual. We expect the same.”
They turned out of the passage. Thomas stepped back into the recessed doorway of the shop before they could see him. The scarred man passed nearest. He had a narrow face and colourless eyes. He looked towards the shutter, paused, then followed the others.
One of them rapped his knuckles against the bakehouse door.
“Hot work tonight, baker?”
No one answered. Heat pressed through the bricks, steady and ordinary.
Thomas waited until their footsteps had gone beyond the bend in the lane.
Only then did he move.
His heel caught the loose cobble behind him. The hammer knocked against the wall with a sharp metallic crack.
Thomas froze.
The footsteps did not return.
He opened the shop door and slipped inside.
Master Ellwood entered a moment later and barred it behind him. He said nothing at first. He crossed to the bench, placed both hands upon it, and stared down at the unfinished forme.
Thomas remained near the door.
The lamp showed how tired Ellwood had become. There were deep lines beside his mouth that had not been there at the beginning of the year. His spectacles hung from one hand. A black rag from the bench was clenched in the other.
“You were outside,” Ellwood said.
It was not a question.
“Yes, sir.”
“How much did you hear?”
“Enough.”
Ellwood looked at him then.
Thomas could not tell whether the expression was fear, anger, or calculation. He remembered the promise drifting out of the darkness:
You will be rewarded.
“A word of this reaches no one,” Ellwood said. “Not the neighbours. Not the booksellers. Not Anne.”
Thomas’s fingers tightened again around the hammer.
“Why not Anne?”
“Because I have told you not to speak of it.”
“She works the cases. She may correct the letters.”
“She will do as I instruct.”
“And if she asks why?”
“She will receive the answer I choose to give her.”
Thomas looked towards the ceiling. Anne’s room lay directly above the shop. One board near the stair gave a particular creak beneath her step. It had done so every morning for years.
“Shall I fetch a constable?” he asked.
“No.”
“The watch, then.”
“No.”
“The Lord Mayor—”
“Enough.”
Ellwood laid his spectacles on the bench.
“The constable takes supper where he is offered it. The watch sees what it is paid to see. As for Guildhall, a poor printer may wait a month for an answer and receive a bill for the paper.”
“So we print for them.”
“We set what is brought.”
“For the custom?”
Ellwood’s eyes hardened.
Thomas regretted the question, though not enough to withdraw it.
“You will not question me again tonight,” Ellwood said. “Bar the shutter. Turn the lamp down. Then go to bed.”
Thomas did not move.
“Sir—”
“You can do as you are told.”
The words were quiet and final.
Master Ellwood gathered a loose sheet from the floor and put it in the drawer beneath the bench. He did not look at what was printed on it.
Thomas crossed to the shutter and fastened it. He tested the peg twice. The repaired hinge held firm.
Behind him, Ellwood began covering the formes.
Thomas tried to decide what he believed.
He had heard a threat against the shop. He had heard talk of money and regular custom. He had heard Ellwood object. Then he had missed something—something spoken while the cart and broken crock filled the lane—and when he turned back, the men were promising reward.
At last Ellwood had agreed.
Ellwood had been the first man to trust Thomas with more than sweeping floors and carrying paper. He had taught him to read type backwards, to judge dampness by touch, and to hear when a forme was not properly locked. The first time Thomas set a page without spilling a line, Ellwood had examined it in silence, told him to do it again, and left the shop key in his hand the following morning. Later came the paper accounts, the cash drawer, and permission to work the press when Ellwood was absent. None of these honours had been announced; they had simply been given.
Thomas had built much of what he understood about honesty upon those small acts of trust. If Ellwood called a line straight, Thomas believed it straight. If he refused a sheet, Thomas assumed there was good cause. To doubt him now felt like discovering decay in a beam already carrying the roof. The beam might still hold—but a man who had heard it crack could never again stand beneath it without listening.
Above him, Anne moved. The familiar floorboard creaked.
He pictured her at the cases, reading backwards as easily as other people read forwards. She noticed bent sorts, reversed letters, and damaged faces before anyone else in the shop. If the plain coats’ errors formed a pattern, she would find it. The thought gave him no comfort.
Master Ellwood banked the coals.
“They will return at cockcrow,” he said.
Thomas looked at him.
“Will you wake Anne?”
“No.”
“She will hear the press.”
“Then she will hear work.”
Ellwood drew the shutters tight.
“Go upstairs.”
Thomas set the hammer on the bench, but his hand remained upon it.
“I can keep watch.”
“You will sleep.”
“I am not tired.”
“That is of no importance.”
For a moment neither moved. Then Ellwood turned away and began arranging the furniture around the forme, measuring the spaces by touch.
Thomas took up the hammer again.
Before climbing the stairs, he crouched beside the press and reached behind its iron foot. His fingers found a small steel box wedged between the base and the wall.
He had bought it for a shilling at Rag Fair. The lid bore scratches from its former owner, but inside Thomas had cut two short saw-notches of his own, side by side. It was the mark he placed on timber when a repair belonged to him. No one else had reason to notice it.
He opened the box.
It held the few objects he could not bring himself to discard: a worn copper coin from his first wage, a square nail he had forged badly and kept as a warning, a twist of blue thread, and a shard of clear bottle-glass.
Months earlier he had held the shard across a beam of sunlight on the stair. A narrow band of colour had appeared upon the wall—red, yellow, blue—so faint that he had doubted it even while looking at it. Anne had passed beneath the light a moment later, and he had hidden the glass before she could ask what he was doing.
Now he lifted it towards the lamp.
The flame broke and stretched within it, but no colours came. Only the shop appeared: the bench bent out of shape, the press narrowed, Thomas’s own face pulled long and unfamiliar.
He returned the shard to the box and closed the lid.
The steel gave a small, definite click.
Thomas pushed it back beneath the iron foot of the press. Wood could burn. Paper could be taken. The box, he believed, might endure both carelessness and fire.
He climbed the stairs.
The room he shared with old stock and discarded furniture was cold. His truckle bed stood beneath the slope of the roof. Through the wall came the muted sound of the bakehouse oven and, farther off, the river bells.
Thomas lay down fully dressed and placed the hammer within reach.
He heard Anne turn in the next room. For a moment he considered going to her door. He might tell her there had been men in the lane. He might warn her not to correct unfamiliar copy. He might say nothing of Ellwood’s agreement or the promised reward.
But Master Ellwood’s order held him.
Below, a chair scraped across the floor. The drawer beneath the bench opened and closed. After that came the soft movement of paper.
Thomas stared into the dark.
Necessary custom.
You will be rewarded.
I will set what you bring.
He could not fit the three sentences together without making something crooked.
At cockcrow the men would return. Master Ellwood would take their copy, Thomas would set their errors, and Anne would wake to find another day’s work waiting at the bench.
Whether his master had been frightened, bought, or both, Thomas could not tell.
He did not sleep.
New Light at the Press
At dawn the Thames announced itself before the light did.
Chains rang against stone. Porters called for room where there was none. A lighter scraped against Bear Stairs, and its master cursed the tide, the quay, and the men who had loaded him in that order. At Fresh Wharf, tobacco from Virginia stood in dark ranks beneath canvas. Farther east, a crane lifted pepper, silk, and tar from vessels packed so closely that their rigging crossed overhead like winter branches.
Commerce had begun.
So had theft.
A cask landed two pounds lighter than its tally. A porter carried a parcel towards the wrong warehouse and was not stopped. At the Custom House, a tide-waiter bent over his register while a crate passed behind him with more speed than dignity. The river brought London its wealth, and London took its share before the King could count it.
Pudding Lane woke to the same noise at a distance. Bakers opened shutters. A fishwife claimed the lower end of the street and informed every house of the quality of her herrings. Apprentices carried water, swept thresholds, and quarrelled over who had done least. Smoke gathered beneath the upper storeys, where the houses leaned close enough for neighbours to exchange insults without raising their voices.
Inside Ellwood’s print shop, Thomas had not slept.
He had lain upstairs until the first grey light showed beneath the door, listening to Master Ellwood move through the room below. A chair had scraped once. The drawer beneath the bench had opened twice. Paper had been handled in the dark.
Now Thomas stood at the press with his sleeves rolled and his new suspicion lodged where fatigue could not blunt it.
Master Ellwood was seated at the bench. He had not mentioned the men in the alley again. His spectacles rested low upon his nose, though there was nothing before him to read.
The bakehouse boy came in next door to stir the ovens. Iron struck brick. A shovel grated through ash.
Then someone knocked at the shop door.
Not loudly. There was no need.
Ellwood looked at Thomas.
“Open it.”
Thomas lifted the bar.
Two of the plain-coated men entered. The first was the one with the hard voice. His companion wore the same mild expression Thomas had heard in the alley, pleasant enough until one remembered the words that came from it. The scarred man remained outside, visible through the gap beside the shutter.
The softer man placed a folded sheet on the bench.
“Master Ellwood.”
“You said dawn,” Ellwood replied. “It is dawn.”
“We value punctuality.”
The harder man glanced towards Thomas. “Your apprentice?”
“You saw him last night.”
“We saw a shadow.”
“You see him now.”
Thomas closed the door and returned the bar to its brackets. He kept the hammer in his hand.
The visitor unfolded the copy. At its head, in a large and confident script, stood the title:
THE CITTY REMAINS FAITHFUL AND CALM
The second t had been drawn carefully. It was no slip.
“Set it exactly,” the man said. “Every word. Every letter.”
Ellwood read the first lines without touching the page.
“There are three errors before the second paragraph.”
“There are more after it.”
“I see them.”
“Then leave them.”
Ellwood raised his eyes. “You are paying for bad spelling.”
“We are paying for accuracy.”
The distinction appeared to amuse the milder man.
“Your reader will see a proclamation of civic confidence. He will be comforted. A misspelling or two will reassure him that the thing was written by ordinary men.”
“And another sort of reader?”
The smile remained, but the man’s eyes changed.
“You have already been told which part belongs to you.”
He drew a small leather purse from his coat and set it beside the copy. Coin settled against coin.
Thomas heard again the conclusion he had caught in the alley.
You will be rewarded.
Ellwood looked at the purse. He did not open it.
“Your regular custom,” the man said. “As promised.”
“Gold burns,” Ellwood replied.
The visitor frowned. “What?”
“Gold burns. Ink lasts.”
The milder man laughed.
“We shall hope neither is put to the proof.”
Ellwood drew the copy towards him. “When do you collect?”
“Two hours after noon.”
“The ink may still be fresh.”
“Then use less.”
“I will use what the work requires.”
The harder man moved to the door. “No corrections, Master Ellwood.”
“I heard you the first time.”
“And the girl?”
Ellwood’s hand stopped on the paper.
“What of her?”
“She has a reputation for noticing mistakes.”
“She will do as she is told.”
Thomas watched his master say it. Ellwood’s face gave nothing away.
The mild man nodded. “Then we understand one another.”
They left.
Through the window Thomas saw the scarred man fall into step beside them. All three turned towards Eastcheap. At the corner, two other plain coats waited without speaking.
Ellwood remained at the bench until they had gone.
Then he pushed the purse beneath the account book.
He did not count it.
Thomas could not decide whether that made the thing better or worse.
“Bring the paper,” Ellwood said.
Thomas set down the hammer.
“Sir.”
“And damp enough for a clean impression. No more.”
Thomas cut the twine around a fresh bundle and carried the sheets to the trough. He worked slowly at first, spreading the water evenly with the flat of his hand. His body knew the task. His mind remained in the alley.
Ellwood had resisted. Thomas had heard that much.
He had also agreed.
The forme waited on the stone. Thomas took up the composing stick and began.
A printer’s work requires obedience before judgement. Each piece of type has one place in the line, and the hand must find it without hesitation. Thomas knew the cases well enough to work by touch: common letters below, capitals above, spaces in their narrow divisions, punctuation kept where a careless finger could not mistake a colon for a full point.
Ordinarily the order comforted him.
That morning every deliberate error felt like a test.
He set CITTY.
He paused before the second t, then placed it.
Farther down came GOVERMENT, stripped of the letter it required. In the third paragraph, DELIGENTLY had been written with such care that no compositor could pretend not to see it.
Thomas set them all.
He remembered Ellwood teaching him to reject a damaged sort even when a customer was waiting. A broken face, his master had said, shamed the whole page.
Now Ellwood stood beside him and watched mistakes go into line.
“Your spacing,” Ellwood said.
Thomas corrected it.
A few minutes later the boards overhead creaked. Anne appeared on the stair, fastening the cuff of one sleeve. Her hair had been pinned quickly, and a dark ribbon held most of it where she intended. She stopped halfway down.
“You are both at work already.”
“London has risen without consulting us,” Ellwood said.
Anne came to the bench and kissed her father’s cheek. She greeted Thomas with a small nod, then looked at the copy.
“What is it?”
“A notice,” Ellwood replied.
She read the title.
“Citty?”
“Leave it.”
Anne looked at him. “It is wrong.”
“I know.”
“And here—goverment.”
“As written.”
She glanced at Thomas. He kept his attention on the stick.
“Who sent it?” she asked.
“A client.”
“Which client?”
“The kind who pays for speed and dislikes questions.”
Ellwood’s tone ended the matter, but Anne did not immediately turn away. Her eyes moved from the copy to the purse half-hidden beneath the account book.
Thomas saw her notice it.
She took up another composing stick.
“Which lines are mine?”
“The lower half,” Ellwood said. “Set them exactly as supplied.”
Anne found the first misspelling. Her mouth tightened.
Thomas moved the upper forme towards himself.
“I’ll take the marked words,” he said.
She looked at him again, this time with surprise.
“I can set them.”
“I know.”
He gave her the clean lines and kept the others.
Ellwood said nothing.
For the next hour the shop reduced itself to work. Type clicked into sticks. The ink balls were charged. Paper took the first trial impression and revealed a line sitting too low. Thomas unlocked the forme, corrected the furniture, and pulled again.
The second proof came clean.
Outside, Pudding Lane grew louder. A parish beadle brought an order for notices and objected to the price before hearing it. A woman asked whether Ellwood had printed the latest plague remedy and seemed disappointed when told he had not. A boy stood at the door staring at a woodcut of a lion until Anne gave him the spoiled sheet. He folded it carefully and ran away with the animal beneath his shirt.
By mid-morning the suspicious pamphlet had begun to dry.
Anne went to the line and read it from beginning to end.
“It says very little,” she observed.
“It says the City is calm,” Ellwood replied.
“Three times.”
“Some truths require repetition.”
“And some lies?”
Ellwood looked at her.
“Back to the case, Anne.”
She obeyed, but not happily.
Thomas saw her distrust the sheet. He wished she would distrust the men who had brought it. He was less certain what he wanted her to think of her father.
The door opened again.
Edward Hargrave entered with his hat beneath one arm and morning light upon the shoulders of his cloak. He was dressed well without appearing dressed for display, an accomplishment that Thomas suspected required both money and rehearsal.
Edward bowed first to Master Ellwood.
“Sir.”
Then to Anne.
“Mistress Anne.”
His smile warmed by a degree.
“Mr. Hargrave,” she said.
Thomas received a courteous inclination of the head.
“Thomas.”
“Sir.”
Edward looked around the shop. “I had expected to find you busy. I did not expect to feel lazy merely by entering.”
“You may leave and recover,” Ellwood said.
Edward laughed. He had the useful gift of treating rebuke as welcome.
“I shall stay and improve.”
He moved towards the drying line. Thomas watched him without turning his head.
“The City remains faithful and calm,” Edward read. “That is fortunate. I had feared it was frightened and dishonest.”
Anne gave a quick smile.
Ellwood did not.
“It is commissioned work,” he said.
“Then calm has found a patron.”
Edward leaned closer to the sheet, though not close enough to smudge it.
“Citty,” he said. “Your proof-reader has been merciful.”
“The word remains as supplied.”
“Does it?”
Edward glanced at Ellwood, then at Anne.
“A deliberate roughness, perhaps. Official notices look more honest when they contain one fault. Perfection alarms the public.”
Thomas set a quoin on the bench with more force than necessary.
Edward turned.
“Have I offended the work?”
“The quoin was loose,” Thomas said.
“Then I am relieved. I should dislike to quarrel with a man who carries a hammer as naturally as I carry gloves.”
Thomas resumed what he was doing.
Edward walked between the press and the cases with genuine interest, or a convincing imitation of it. He asked Ellwood about the age of the press, the number of sheets it could pull in an hour, and whether damp weather spoiled the impression. His questions were sensible. That made Thomas attend more closely.
At last Edward nodded towards the drying pamphlets.
“Do you send these to the booksellers, or do they fetch?”
“As the work requires,” Ellwood said.
“And this one?”
“It will be collected.”
“Convenient.”
Outside, one of the men at the corner shifted his weight.
Ellwood did not look towards him.
Thomas did.
Edward’s attention returned to Anne.
“You set the lower portion?”
“Some of it.”
“Then the City’s peace rests upon your fingers.”
“I would rather it rested on stronger things.”
“Soldiers?”
“Honesty.”
Edward smiled, but his reply was quieter than the ones before it.
“A rare foundation. I am told it costs more than stone.”
Anne bent over her case, though she had not selected a letter.
Edward stood beside the bench.
“Your father told me you have never properly walked Paul’s.”
“I have crossed the Churchyard.”
“That is not the same. To cross it is business. To walk it is education.”
“Education according to whom?”
“According to everyone who sells books there.”
Ellwood removed his spectacles and looked at Edward.
“What are you proposing?”
“A turn after the work is done. Paul’s Walk, the booksellers, perhaps the Exchange if the hour allows. With your permission, sir.”
“With my company.”
Edward bowed.
“I had counted upon it.”
His ease did not falter. If he had hoped for Anne alone, he concealed the disappointment perfectly.
Anne looked down at her inked fingers.
“I cannot walk among the booksellers like this.”
“They will trust you more,” Edward said. “Half of them look much the same.”
She laughed.
The sound altered the shop. Thomas noticed because he noticed changes in structure: a hinge settling, a board lifting, a weight moved from one side to another.
He returned to the chase.
Edward picked up a narrow strip of waste paper.
“I heard a curious thing from Cambridge yesterday.”
Anne looked up.
“A gentleman at Trinity wrote that men there are experimenting with prisms. A beam of ordinary sunlight passes through the glass and breaks into colours.”
“Breaks?”
“So he says.”
“White light becoming colour?”
“Or revealing colour already hidden in it. I confess I understood only half the letter.”
Anne came a step nearer.
“What colours?”
“All of them, apparently. Red, blue, yellow, and the shades between. The room must be dark, and the beam admitted through a small opening.”
“Who performed it?”
Edward hesitated just long enough to suggest he was searching his memory rather than inventing.
“A young scholar. The name escapes me. My friend wrote more of the glass than the man.”
Thomas’s hand stopped over the type case.
The shard in his steel box came to mind: pale colour trembling against the stair wall.
Edward glanced towards him.
“Have you seen such a thing?”
Thomas selected an e.
“No, sir.”
It was not quite a lie. What he had seen had been so faint that he had never decided whether to believe it.
Anne did.
“If white light carries colours,” she said, “then they are there whether we see them or not.”
“I suppose so.”
“That is extraordinary.”
Edward watched her face brighten.
“Yes,” he said. “It is.”
For once, his admiration did not sound directed at the experiment.
Master Ellwood cleared his throat.
“Three o’clock. If the work is done.”
Edward recovered his social ease.
“Three. I shall be punctual enough to satisfy the press.”
He bowed to Ellwood, then Anne, and finally Thomas.
“Guard the place until then.”
Thomas met his eyes.
“I do.”
Edward left.
Anne went to the window and watched him cross the lane.
“He is kind,” she said.
Thomas adjusted a space in the forme.
“Is he?” Ellwood asked.
Anne turned. “You invited him to return.”
“I permitted him.”
“That is nearly kindness from you.”
Ellwood hid the beginning of a smile by replacing his spectacles.
“Back to work.”
At two o’clock the plain coats returned.
The scarred man entered with the milder one. Thomas recognised the line of the scar more clearly in daylight. It began near the ear and ended beneath the cheekbone, pale against weathered skin.
The men examined the top sheet.
The mild one put his finger upon CITTY.
“Good.”
“An expensive error,” Ellwood said.
“You have been paid.”
The man counted the stack without separating every sheet. His fingers knew the thickness of paper by habit.
The scarred man looked at Anne.
“You did not correct us.”
“My father instructed me not to.”
“A dutiful daughter.”
Thomas took one step away from the press.
The scarred man noticed and smiled.
They packed the sheets into the brown Russia-leather wrapper. Empty, it had looked soft and worn. Filled, it held its shape like a case made for documents rather than pamphlets.
“Same arrangement next week,” said the mild man.
Ellwood’s expression did not change.
“Send the copy.”
They left with the wrapper beneath the scarred man’s arm.
Thomas watched them turn towards the river.
Ellwood opened the account book and moved the purse into the cash drawer.
Still he did not count it.
Anne saw.
No one spoke of it.
At three, Edward returned.
He had exchanged his morning cloak for a darker one and carried a walking cane he did not appear to need. Master Ellwood washed the ink from his hands and changed his coat. Anne retied her hair with a ribbon not yet surrendered to the shop.
Thomas drew the bar across the inner door and checked the window fastenings.
“You do not mind keeping the place?” Anne asked.
“No.”
“You have been here since dawn.”
“So has the press.”
She smiled. Thomas did not, though he felt the impulse.
Ellwood took up his hat.
“No customers after four. If the men return, they wait.”
“Aye, sir.”
The words came more readily than they had that morning, but not with the old certainty.
Edward held the door for Anne. She stepped into the lane, followed by her father. Thomas watched until the three of them turned into Eastcheap.
Then he closed the door.
The Cathedral of St. Paul stood west of them above the roofs, its tower and weathered masonry holding the afternoon light. The streets grew wider as they approached it. Pudding Lane’s flour, smoke, and fish gave way to the busier smells of Cheapside: leather, hot pies, horse sweat, candle wax, and the damp wool of crowded coats.
Edward kept his pace level with Anne’s. Ellwood walked on her other side.
“You see?” Edward said. “Perfectly respectable.”
“We have not yet arrived.”
“Respectability is chiefly confidence displayed before witnesses.”
“Then you possess enough for all three of us.”
Edward accepted the observation with a bow of his head.
They entered the Cathedral through the north door.
Anne had attended services there, but Paul’s Walk was another institution entirely. Beneath the high stone vault, London conducted business. Merchants stood between pillars reading letters from abroad. Lawyers moved in dark groups, stopping whenever a useful acquaintance approached. Men exchanged news, sought employment, arranged loans, sold horses they did not possess, and promised marriages on behalf of daughters who had not been consulted.
Their voices rose into the nave and returned softened by distance.
Anne lowered her own.
“Does no one object?”
“Constantly,” Edward said. “It has made no difference.”
Ellwood looked along the crowded aisle.
“A church should not sound like the Exchange.”
“The Exchange has worse echoes.”
A man passed them carrying a bundle of printed sermons. Another followed, offering a pamphlet that accused three ministers of corruption and a fourth of improper relations with a widow in Fleet Street.
Edward declined both.
“They call this Paul’s Walk,” he told Anne. “If a rumour enters at one end, it reaches the other improved.”
“Improved?”
“Made more interesting.”
“That is not improvement.”
“You speak like a printer.”
“I am one.”
Edward glanced at her.
“Yes,” he said. “You are.”
The reply was simple enough to make her conscious of it.
They left the nave for the Churchyard, where the booksellers had crowded their signs and stalls close around the Cathedral. Sheets hung from lines. Quarto volumes lay open upon boards. Woodcuts of monsters, battles, executions, comets, and royal processions competed for the passing eye.
Anne slowed without meaning to.
A bookseller held up a fresh sermon.
“Printed this morning, mistress. The cure for fear and the correction of vanity.”
“At what price?” Ellwood asked.
“Sixpence.”
“Vanity may remain uncorrected.”
The bookseller recognised him and laughed.
“Ellwood! I have two of your sheets at the back.”
“Then pay for them before purchasing my soul.”
They exchanged a few words about paper prices while Anne examined the stall.
Near the back of the stall lay a worn copy of John Milton’s Areopagitica, its title page rubbed at the folds. Anne lifted it carefully.
“You have read him?” Edward asked.
“Enough to admire a man who trusts truth to meet falsehood openly.”
Ellwood turned the tract over and examined the price. “Admire him for threepence, if the bookseller has any Christianity.”
The bookseller found two.
Anne bought the tract.
Edward picked up a small volume of verse, read the first page, and put it down.
“Bad?” Anne asked.
“Not bad enough to be fashionable.”
“You seem well informed.”
“I attend to culture where it can be carried beneath one arm.”
They walked along Paternoster Row. Edward pointed out the houses of booksellers and stationers, naming men Ellwood knew and others he distrusted. Near Ave Maria Lane he indicated the direction of Stationers’ Hall.
“The Company controls who may print what.”
“In principle,” Ellwood said.
“And in practice?”
“In practice, men print what can be sold and apologise when caught.”
Edward smiled. “There speaks experience.”
“There speaks observation.”
Anne looked from one to the other. Her father’s face remained calm, but the morning’s purse returned to her mind.
Edward had already moved on.
He showed her the open place where Paul’s Cross had once stood, and described the outdoor sermons that had drawn crowds large enough to frighten governments.
“A preacher could speak here in the morning,” he said, “and by evening half the Churchyard would be selling his words.”
“Correctly?” Anne asked.
“Not if the incorrect version sold faster.”
Ellwood gave her a brief look.
The day had begun to cool. They turned into Cheapside, where shop signs projected above the street and carts fought for passage beneath them. The Bow bells marked the hour. Apprentices called from doorways. A sedan chair pushed through the crowd, its occupant hidden behind curtains.
Edward guided Anne around a puddle deep enough to have acquired floating refuse.
“You promised education,” she said.
“This is the practical portion.”
They continued towards the Royal Exchange.
The building opened before them with arcades enclosing a busy court. Merchants spoke in tight circles. Clerks carried bills and account books. Foreign traders moved among them in dark wool, bright silk, furred caps, and hats shaped by other cities.
Anne had seen wealthy customers in the shop. She had never seen so much wealth assembled for the purpose of multiplying itself.
Edward watched her take it in.
“My father says London is governed here before Guildhall hears of it.”
“Does he approve?”
“My father approves of anything that can be entered in a ledger.”
Ellwood said, “Ledgers have their uses.”
“Of course. They preserve a man from remembering only the profitable parts.”
Edward pointed towards the upper walk, where shops displayed fans, ribbons, gloves, imported toys, and small luxuries whose prices were not written where the poor could resent them.
“Would you like to see?”
Anne shook her head.
“Why not?”
“I have nowhere to wear what they sell.”
“That has never prevented anyone from buying it.”
“I would rather have a book.”
“Then the Churchyard has defeated the Exchange.”
“Was there a contest?”
“There is always a contest.”
They began the walk back.
Near Cornhill, Edward spoke again of Cambridge. He had remembered part of the letter, or claimed to.
“The writer said the spectrum was longer than he expected.”
“Spectrum?”
“His word, not mine. The band of colours.”
“Could the colours be joined again?”
“I do not know.”
“If they came from white light, they ought to return to it.”
Edward looked genuinely impressed.
“You have found the question I failed to ask.”
Anne felt pleased, then embarrassed by the pleasure.
“I only meant—”
“I know what you meant.”
For the rest of the walk, she noticed the pressure of his attention even when he was speaking to her father.
They reached Pudding Lane before the lamps were lit.
Thomas opened the door at Ellwood’s knock.
The shop was in order. The floor had been swept. The formes were covered. A repaired hinge lay on the bench beside Thomas’s hammer.
Anne entered first.
“How quiet it is.”
“It was not,” Thomas said. “A beadle came. Then a paper seller. Then the beadle returned to dispute his bill.”
“Who won?”
“The bill.”
Edward laughed from the doorway.
“I knew there was wit in him.”
Thomas took Ellwood’s coat and hung it near the stove.
“How was Paul’s?” he asked Anne.
“Loud.”
“That sounds likely.”
“And full of books.”
“That sounds better.”
Anne laid the Milton tract beside the composing stick.
Thomas read the author’s name. “You favour Milton?”
“He believes truth should not require a licence to defend itself.”
Thomas touched the worn edge of the paper once, then returned to the hinge. He remembered the name.
Edward remained only long enough to make his farewells. He bowed to Master Ellwood and thanked him for the afternoon. To Anne he said:
“I shall find the name of the Trinity scholar.”
“I should like to know it.”
“Then I am obliged to return.”
He left with the satisfaction of a man who had arranged his next welcome before the present one ended.
Anne watched him go.
When she turned back to the bench, she saw a folded sheet among the proofs.
It bore no seal.
Her name was written on the outside.
She looked towards her father. He was checking the day’s accounts. Thomas had returned to the repaired hinge and was testing the pin.
Anne opened the letter.
Dearest Anne,
Cambridge grows quieter as the sickness spreads. Men who once disputed through supper now avoid one another on the stairs, and solitude has become less a scholar’s choice than a public duty.
It has its rewards. Today I held a shard of common glass across a beam of sunlight. Upon the wall appeared a narrow band of colour—red, yellow, blue, and shades I could not name. Nothing had been added to the light. The colours had been there all along, waiting for the right angle to reveal them.
Remember that when the world appears simple.
I hear that unfamiliar men have taken an interest in your father’s shop. Watch what they bring and what they collect. A press gives power to any hand that feeds it, honest or otherwise.
Guard the work. Look closely.
Yours in friendship,
John M
Anne read it again.
The shop sounds receded: the movement of account pages, the scrape of Thomas’s file, the first evening bustle beyond the window.
Cambridge.
A prism.
Colours hidden inside white light.
Edward had spoken of all three that morning.
She looked towards the door through which he had just departed.
“Something wrong?” Ellwood asked.
Anne folded the letter.
“No, Father.”
She slipped it behind the J-box in the compositor’s case, where the least-used sorts gathered dust and no casual hand would search.
“Who wrote to you?” Ellwood asked.
“A friend.”
“What friend?”
“I do not know yet.”
Ellwood considered this, but the accounts demanded him back.
Thomas’s file stopped for a moment.
Then it resumed.
Anne returned to her composing stick. She set two lines, distributed one, and set it again because she had placed the same word twice. Her thoughts would not remain in the case.
At supper, Edward’s walk through Paul’s returned in pieces: his easy knowledge of the booksellers, his amusement at the Exchange, the way he had listened when she spoke of the colours joining again. Behind those memories lay the letter, quieter but more persistent.
She carried no paper upstairs.
In her room, the lane darkened beyond the small window. The bakehouse sent warmth through the wall. Somewhere near Eastcheap a watchman called the hour.
Anne loosened her hair and sat on the edge of the bed.
Her father’s words from the morning came back to her.
Gold burns. Ink lasts.
She had understood the saying when he used it of printing. She understood it less when she remembered the purse beneath the account book.
Then she thought of Edward.
He had spoken of Cambridge and a prism. Within hours, John M had written of the same things. It might be coincidence. London carried news quickly, and Edward himself had said that one rumour could cross Paul’s Walk before a man reached the other end.
Even so, the connection glowed.
She lay down without extinguishing the lamp.
Before sleep came, she tried to imagine the face of John M.
Edward’s was the only one she could see.